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JPEG images are suitable for most presentation uses. TIFF images are suitable for publication purposes. When using images, please reproduce caption and credit information. For details or further information, click here. Israel van Meckenem, the younger, Four Nude Women , c. Acquired by the Clark, The Clark Art Institute, Your browser may not provide an optimal user experience.
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One of his earliest signed engravings,  it shows four nude, exuberant women gathered conspiratorially in a circle in a confined interior setting, perhaps a bath house,  which appears to have entrances from either side. Although clearly erotic, a small horned demon, perhaps representing temptation,  is positioned in the left hand portal, peering out and holding what may be a hunting object, and is engulfed in flames. Although the engraving has been subject to prolonged and significant scholarly analysis, it remains enigmatic, and there is nothing in his later writings to indicate his intent. The women stand underneath a suspended globe or sphere, and before an open stone window, which, given the human skull and thigh bone placed across from it, may be a gateway to death,  and that the women are engaged in some type of nefarious scheme, perhaps linked to the inquisition treatise Malleus Maleficarum. Numerous original prints exist, held at a number of major museums. The women are positioned in a small interior space which contains a window and can be entered or exited from two sides. The small devil in the left hand recess, who is intended to represent evil, as mammalian anatomy including hind legs, and holds a vaguely described object in his claw that appears to consist of sticks and a piece of string,  perhaps comprising a contemporary device for hunting birds and fowl. The differing hairstyles and headdress suggests that the women are from different social classes;  differing types of headdresses were often used in medieval and early Renaissance pictures to indicate social and moral aspects of the individual person.